Embodied Histories: Returning the midi to the Tolai | Garland Magazine Issue 9
“A magazine that uses the garland as a focus to encourage a dialogue across the Asia Pacific about the objects that give our lives meaning” Garland Magazine’s latest issue focuses on craft and creative practice across Moana / Wan Solwara or the great Pacific Ocean. I was honoured to share my personal, cultural and spiritual journey of remaking of a midi (shell collar). The quarterly essay is for subscribers, all other articles within the issue are accessible to read.
Trade Stories Residency | Testing Grounds
Trade Stories is an invitation to listen and share the history of materials exchanged and traded between Pacific Islander and European people during the 19th Century. As artist in residence, I am requesting ‘collective labour’ to thread a vast amount beads to develop a site responsive work. Invited guests and I will retell the historical tales of trade, economic exploitation, cultural change and the building of colonial empires embedded within these small items known historically as trade beads.
Residency days: 11th – 27th January 2018 (Thursday, Friday & Saturdays only)
Time: 10am – 5pm
1 City Road, Southbank
Free event | All ages
An Unorthodox Flow of Images | Centre for Contemporary Photography, Melbourne Festival 30th September – 12th November
My artwork In a bind has been selected into this unorthodox curation of photographic works by Naomi Cass and Pippa Milne as part of Melbourne Festival’s visual art program. More info here.
There’s also a swathe of public programs to support the show. I’m speaking on a panel Codes of Practice: Indigenous subjects and Indigenous photographers chaired by Stephen Gilchrist.
Thursday 02 November 6-8pm
RSVP for seating firstname.lastname@example.org
a Bit na Ta: Story of the Gunantuna | Bunjilaka Melbourne Museum
September 2017 – February 2018
a Bit na Ta is a project located in ples (place): Rabaul, East New Britain, PNG. Specially commissioned for the exhibition No 1 Neighbour: Art in Papua New Guinea 1966-2016 at the Queensland Gallery of Modern Art, the project engages with the enormous changes that have washed over the century 1875-1975 from the perspective of the Tolai peoples who inhabit the lands surrounding it. Central to the Tolai community’s capacity to survive the disruptions of shifting colonial powers, war, volcanic eruptions and independence struggles, marking this period was the strength and importance of their Tubuan society. Perhaps best known to the uninitiated through the iconic birdlike Dukduk and Tubuans, the highly secretive and complex Tubuan society continues to play a significant role in Tolai spiritual and everyday life; its edicts governing relationships to land, resources and people (ancestral and present).