Current Projects & Exhibitions

 

Detail of bag from Manus Island, Ubersee Museum visible storage, Bremen, Germany

HIAP | Helsinki International Artist Residency Program

Lisa is currently artist in residence from 03 June – 29th August on Suomenlinna | Sveaborg. You can see what she’s up to on her Instagram profile here.

More information can be found on the HIAP website.

This residency is supported by the Australia Council for the Arts.


Trade and Transformation. Lisa Hilli
Detail of Two women, Duke of York Island, East New Britain. (Where the First Missionary landed and first mission, Port Hunter, c.1882). 1000 mm x 733 mm, pigment print on cotton rag, glass beads, cotton thread. 2018. Photographer Reverend R. H. Rickard. 

Capital | Ballarat International Foto Bienniale

Trade beads or slave beads, were used globally by European colonists as a mechanism for the exploitation of labour and goods, they were also used by missionaries for building rapport with indigenous people of the land. Artist Lisa Hilli explores the impacts and transformative effect that trade beads had upon her own people the Gunantuna (Tolai), during a precarious and hostile era of the late 1800’s and how materiality became a language, which was understood and valued by all.  For Capital, Lisa will present photographic work taken from her 2018 solo exhibition Trade & Transfomation

Capital is curated by Naomi Cass and Gareth Syvret

National Centre for Photography, Ballarat

23 August – 20 October 2019

Video produced by Blak Dot Gallery


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Installation view of Sisterhood Lifeline. Image Markus Ravik

Transits & Returns | Vancouver Art Gallery

Sisterhood Lifeline explores the visibility and invisibility of black women’s bodies, voices and identities  in Western cultural institutions. A creative response to institutional racism, Lisa’s most recent body of photographic work and audio installation portrays how women and queer identifying people survive and thrive in culturally and psychologically challenging spaces.  This work was lovingly supported and curated by Léuli Eshraghi and was commissioned for the co-curated group exhibition The Commute, Institute of Modern Art 2018.

Transit & Returns curated by Sarah Biscarra Dilley, Freja Carmichael, Léuli Eshraghi, Tarah Hogue, Lana Lopesi

Vancouver Art Gallery

28th September 2019 – January 26th 2020

A Tinata Tuna exhibition text by Lisa Hilli and Léuli Eshraghi – pdf