The body language of each individual in this image speaks volumes to me. Compositionally the framing of this image shows who is important and who is valued, who has power and agency, who doesn’t and who is centred in visual history? When I think about German and Gunantuna relationships, I wonder how this German planter and this Tolai woman communicated? How did they meet? Initially when I first viewed this image I wondered if this child was or is one of the many children who were taken into Vunapope catholic mission by German nuns and bishops, that led to the Unserdeutsch community that exists today in Brisbane. I have lots of questions that I hope to be able to answer and understand during my fellowship research that will feed into my PhD photographic research of Papuan women in front of the lens.
It was a whirlwind, jam packed, full of goodness 5 day trip to Brussels to attend the opening event and public programs. Being amongst so many other women of colour, conversing and seeing how they are using their bodies within their own practices validated the work I had made and compelled me to continue making work that relates to the black female body. I had found my people and my community of practice.